Ernest Ranglin – Jamaican Guitar Legend – Global SOL is honored to present the Jamaican guitarist and composer who is probably best known for his session work with producer Coxonne Dodd at the legendary Studio One and also helping give birth to ska in the late 1950s was born on June 19th, 1932 in Manchester, Jamaica.
As child, Ranglin had two uncles who played guitar and ukulele. After watching them play, he practiced on their instruments, and stood in for one of them when they failed to turn up for a recording session, impressing his other uncle so much that he was given the instrument for his seventh birthday. He built his own guitar using a sardine can and wires, before progressing to a real one.

He moved with his family to Kingston, where he was educated at Providence, Kingston Senior School, and Bodin College. While still in his teens, he began performing live, locally and in the Bahamas, often with the young Monty Alexander. Aged 15, he joined the Val Bennett band, and went on to play with the Eric Deans band and Count Boysie. By the early 1950s, Ranglin had become a proficient jazz guitarist and toured overseas. In 1958, Chris Blackwell recorded a Ranglin single, which was one of the first releases on Blackwell’s R&B label. A live album, split between Ranglin and Lance Haywood, was also recorded which was also a first to be released by astute Blackwell.

Around 1959, he joined Cluett Johnson’s band the Blues Blasters, recording several tracks for Coxsone Dodd at Studio One, including “Shuffling Jug”, regarded as one of the first ska recordings. Some even credit Ranglin with the invention of the core style of guitar play (sometimes known as “scratching”) found in nearly all ska music. In 1962, the James Bond film Dr. No was filmed in Jamaica. While Byron Lee & the Dragonaires appeared in the film, the soundtrack recordings were actually made by Ranglin. In 1964, Ranglin played guitar on singer Millie Small’s “My Boy Lollipop”, the first Jamaican song to achieve international success.
Ranglin recorded two jazz albums in the mid-1960s for the Merritone label – Wranglin (1964) and Reflections (1965), he also worked for Duke Reid as a musical director at the Treasure Isle recording studio during this period.

In 1964 he began attracting international notice and traveled to London, England to perform at Ronnie Scott’s jazz nightclub, where he became the venue’s resident guitarist for nine months, backing numerous guest artists and appearing in a recording of a Sonny Stitt/Dick Morrissey jam session in 1966. He made several solo records for Island Records, as well as collaborating with Prince Buster and performing with artists such as Jimmy Cliff, whom he also toured with in the 1970’s, Monty Alexander, The Skatalites and the Eric Deans Orchestra. Some of the classic sessions he worked on include, arranging songs such as the Melodians’ “Rivers of Babylon” and playing guitar leads in the Wailers’ “It Hurts to Be Alone” while working with top Jamaican producers such as Dodd, Lee “Scratch” Perry, and Clancy Eccles.

In 1973 he was awarded the Order of Distinction from the Jamaican Government for his contributions to music. He moved to Florida in the late 1970s, where he performed at jazz festivals and continued to record occasionally. He signed to Chris Blackwell’s newly-formed Palm Pictures label to issue 1998′s In Search of the Lost Riddim. The albums E.B. @ Noon and Modern Answers to Old Problems followed two years later. Grooving was released in early 2001.
In 2002, he was awarded an Honorary Doctorate Degree from the University of the West Indies for his outstanding contribution to the development of music in Jamaica. In 2006, he was the subject of a documentary covering his career – Roots of Reggae: the Ernest Ranglin Story, produced and written by Arthur Gorson. In 2008, he was inducted into the Jamaican Music hall of Fame by the Jamaica Association of Vintage Artistes and Affiliates (JAVAA).

Now in 2010 Ernest Ranglin has just released yet another new album, ‘Ranglin & Friends’, this time as a download only on the Dubtronic label. It is another mix of funk jazz and reggae styles and you can read my review at

http://www.unitedreggae.com/articles/n307/010610/ernest-ranglin-ranglin-friends